Nightly Song
Musings on Songs that Strike a Chord Tonight

Archive for October 2010

Jackson Square by Mason Jennings

October 26, 2010

Jackson Square

Written and performed by Mason Jennings. An odd, moving song with music breezy as a day at the beach and a story sad enough to make you stop and cry. The strumming guitar and twinkling piano float like a Jack Johnson song, yet the lyrics tell a song of heartbreak and sorrow. It opens with our narrator sitting with a loaded gun at a little graveyard, seven police cars headed his way. He makes one plea:

Just because you say it doesn’t make it true
You can say that I’m guilty man I just don’t care
You can burn my body black
Just don’t make me go back to Jackson Square

Waiting on a Friend – The Rolling Stones

October 21, 2010

Waiting on a Friend

Performed by the Rolling Stones. Written by Mick Jagger and Keith Richards.
What a perfect, hip-swaying, Reggae mellow ode to friendship. No snarling here, no sex or drugs, just a Caribbean breeze of a summer song with Mick singing about the virtues of a friendship. Bill Wyman’s soulful bass and Charlie Watt’s subtle drumming set the foundation, but the real musical touches come from the guests: Nicky Hopkins lightly tripping on the piano and Sonny Rollins adding the sax solos that shimmy and shine in perfect keeping with the song’s laid back groove. The sax solos and Mick’s soft “do-do-dos” end the song as if the friends of the title have caught up and they’re lounging with their feet up watching some island sunset.

There’s a Wall in Washington – Iris Dement

October 19, 2010

There’s a Wall in Washington

Written and Performed by Iris Dement.

Introduced by insistent bongos and a sound bed of piano and guitar, Iris Dement steps the microphone and in a clear, strong voice wails, “There’s a wall in Washington.” Her voice rasps with earnestness, the lyrics as straightforward as a punch.

Like the monument itself, the song unfolds unadorned by needless details or melodrama.

It’s My Life – the Animals

October 18, 2010

From the opening heavy strums of Chas Chandler on the bass followed by Hilton Valentines’ dirty guitar riffs, this song is trouble, but what makes it are the swaggering vocals laid down by Eric Burdon. What misunderstood teenager (and aren’t all teenager misunderstood) wouldn’t relate to the anger and bravado in Burdon’s voice?

Jesus, The Missing Years – John Prine

October 15, 2010

Jesus, the Missing Years

Written and Performed by John Prine. These poets, or in this case, a singer-songwriter, can be trouble. No wonder Plato wanted to exile them from his Republic. These poets are like a force of nature tending towards disorder, challenging what we see, asking questions no one wants asked. It’s Warren Zevon declaring “I was born to rock the boat” (from “Mutineer”) and Bob Dylan declaring, “the sun’s not yellow, it’s chicken.” Along comes John Prine asking questions and poking fun at Jesus or at least the common notions of Jesus and you know that’s trouble. It’s why parents get so upset about the music their kids listen to. (As the elders issue their cries and objections – where are you now Tipper Gore? – over the supposed violence or misogyny of rap and hip-hop, listening to a good old Chicago folkie begs the question who’s more subservice, L.L. Cool J or Steve Goodman?)

Send Lawyers, Guns and Money – Warren Zevon

October 14, 2010

Written and performed by Warren Zevon.

Zevon spikes this song with deadly fun and twisted mischief. It’s a fantastic tale full of fury and signifying what? The plight of a rich kid on a bender calling home for money. A primer on American foreign policy. A boozy tale told by a sometimes mercenary hold up playing piano in a tropical bar.

Don’t Give Up on Me by Solomon Burke

October 13, 2010

Don’t Give Up on Me

Performed by Solomon Burke. Witten by Dan Penn, Carson Whitsett and Hoy Lindsey.

The big man passed on Monday morning while en route to a concert in Amsterdam. My 17-year-old son just walked in and asked if Solomon Burke died why it’s not big news, why aren’t the flags at half-mast. He suggests a train like Lincoln’s carrying the body around the country. We would all do well to mark his passing by listening to the music and inspiration of the King of Rock ‘n Soul.

My son only knows the greatness of the songs. Not the meandering career, the early gospel songs, the early 60’s disks with Atlantic records, the wanderings for nearly three decades until the audience caught up with this King of Soul and his release of Don’t Give Up on Me where he covers songs written by Tom Waits, Bob Dylan, Brian Wilson, Van Morrison and others.

As much a myth as he is a man, Burke’s biography tells of how his grandmother – Mother Moore – foresaw her grandson’s birth and established a church – Solomon’s Temple – several years before his birth. Like many myths, Burke’s origins are hard to pin down. He claims to have been born upstairs from a church or even in the church, his first wails mingling in perfect unison with the choir. He was born in 1936, 1938, or 1940; take a choice.

Come a Long Way by Michelle Shocked

October 8, 2010

Written and performed by Michelle Shocked.

Floating on an irresistible melody and a pulsing rhythm section, “Come a Long Way” uses a Los Angeles travelogue to tell the story of a girl falling in so far in love that’s she’s afraid of losing herself. That helpless feeling of love moprhs into anger as she storms away from her man and kick starts the tale

Try a Little Tenderness by Otis Redding

October 7, 2010

Written by Irving King and Harry M. Woods. Performed here by Otis Redding.

A classic soul performance that starts out slow, even melancholy, and builds, Redding unwinding his voice a little more with each chorus, Booker T and the MGs providing the fuel, until we reach the furious R&B ending with Redding fully engulfed in the passion of the song. It makes for great music and great theater.

Laughing River by Greg Brown

October 6, 2010

Written and performed by Greg Brown.

An autumnal drama, “Laughing River” tells the story of an aging minor league baseball player forced to watch his dreams slip away and learn to face a world with smaller dreams and colder reality. Soaked with the melancholy that the changing of the season and the falling of the leaves can bring, Brown gives voice to those moments when we see all too clearly that we have lost our youth and the grand hopes we nurtured, a moment when forced to accept the realities of growing up.