Nightly Song
Musings on Songs that Strike a Chord Tonight

Author Archive

Jesus, The Missing Years – John Prine

October 15, 2010

Jesus, the Missing Years

Written and Performed by John Prine. These poets, or in this case, a singer-songwriter, can be trouble. No wonder Plato wanted to exile them from his Republic. These poets are like a force of nature tending towards disorder, challenging what we see, asking questions no one wants asked. It’s Warren Zevon declaring “I was born to rock the boat” (from “Mutineer”) and Bob Dylan declaring, “the sun’s not yellow, it’s chicken.” Along comes John Prine asking questions and poking fun at Jesus or at least the common notions of Jesus and you know that’s trouble. It’s why parents get so upset about the music their kids listen to. (As the elders issue their cries and objections – where are you now Tipper Gore? – over the supposed violence or misogyny of rap and hip-hop, listening to a good old Chicago folkie begs the question who’s more subservice, L.L. Cool J or Steve Goodman?)

Send Lawyers, Guns and Money – Warren Zevon

October 14, 2010

Written and performed by Warren Zevon.

Zevon spikes this song with deadly fun and twisted mischief. It’s a fantastic tale full of fury and signifying what? The plight of a rich kid on a bender calling home for money. A primer on American foreign policy. A boozy tale told by a sometimes mercenary hold up playing piano in a tropical bar.

Don’t Give Up on Me by Solomon Burke

October 13, 2010

Don’t Give Up on Me

Performed by Solomon Burke. Witten by Dan Penn, Carson Whitsett and Hoy Lindsey.

The big man passed on Monday morning while en route to a concert in Amsterdam. My 17-year-old son just walked in and asked if Solomon Burke died why it’s not big news, why aren’t the flags at half-mast. He suggests a train like Lincoln’s carrying the body around the country. We would all do well to mark his passing by listening to the music and inspiration of the King of Rock ‘n Soul.

My son only knows the greatness of the songs. Not the meandering career, the early gospel songs, the early 60’s disks with Atlantic records, the wanderings for nearly three decades until the audience caught up with this King of Soul and his release of Don’t Give Up on Me where he covers songs written by Tom Waits, Bob Dylan, Brian Wilson, Van Morrison and others.

As much a myth as he is a man, Burke’s biography tells of how his grandmother – Mother Moore – foresaw her grandson’s birth and established a church – Solomon’s Temple – several years before his birth. Like many myths, Burke’s origins are hard to pin down. He claims to have been born upstairs from a church or even in the church, his first wails mingling in perfect unison with the choir. He was born in 1936, 1938, or 1940; take a choice.

Come a Long Way by Michelle Shocked

October 8, 2010

Written and performed by Michelle Shocked.

Floating on an irresistible melody and a pulsing rhythm section, “Come a Long Way” uses a Los Angeles travelogue to tell the story of a girl falling in so far in love that’s she’s afraid of losing herself. That helpless feeling of love moprhs into anger as she storms away from her man and kick starts the tale

Try a Little Tenderness by Otis Redding

October 7, 2010

Written by Irving King and Harry M. Woods. Performed here by Otis Redding.

A classic soul performance that starts out slow, even melancholy, and builds, Redding unwinding his voice a little more with each chorus, Booker T and the MGs providing the fuel, until we reach the furious R&B ending with Redding fully engulfed in the passion of the song. It makes for great music and great theater.

Laughing River by Greg Brown

October 6, 2010

Written and performed by Greg Brown.

An autumnal drama, “Laughing River” tells the story of an aging minor league baseball player forced to watch his dreams slip away and learn to face a world with smaller dreams and colder reality. Soaked with the melancholy that the changing of the season and the falling of the leaves can bring, Brown gives voice to those moments when we see all too clearly that we have lost our youth and the grand hopes we nurtured, a moment when forced to accept the realities of growing up.

Looking for Lewis and Clark – The Long Ryders

October 5, 2010

Written by Sid Griffin and performed by The Long Ryders.

“Looking for Lewis and Clark” cracks opens like a thunderbolt of rage and righteousness fueled by crashing drums, slashing guitars and a howl of anger. It’s a cry over what should be and what we wind up with. The anger wells up from a faith betrayed, from a belief in a United States that’s possible – think Whitman’s America – and the one delivered by tawdry politicians. It’s a cry over a music world that grinds up the likes of Gram Parsons and Tim Buckley while the moneymen get rich and fat. It’s that Biblical moment when the Jesus takes to the traders befouling the temple.

Rex Bob Lowenstein by Mark Germino and the Sluggers

September 30, 2010

Rex Bob Lowenstein
Written by Mark Germino and Performed by Mark Germino and The Sluggers.

A paean to a mythical disc jockey, Rex Bob Lowenstein represents a rapidly fading or possibly vanished time when radio disc jockeys infused personality in the music they played. Full of gusto and bathed in real love for great radio, Germino performs the song as a fist-pumping rejection of all things corporate infringing on musical freedom. Rex Bob Lowenstein plays John Henry against the steam shovel of programmed radio and the Clear Channels of the world.

President Obama on Bob Dylan at the White House: “That’s how you want Bob Dylan, right?”

September 29, 2010

Last February 22, Bob Dylan performed at the White House. He sang “The Times They Are a Changin’,” a perfect song to sing when invited to such an august performance. Turns out that President Obama had a good sense of humor (and history) about the event. Here’s what the President told Rolling Stone magazine about the occasion:

(You Got to)Walk and Don’t Look Back – Peter Tosh and Mick Jagger

September 28, 2010

(You Got to)Walk and Don’t Look Back – Peter Tosh and Mick Jagger

Written Smokey Robinson and Ronald White. Originally performed by The Temptations, this article concerns the version by Peter Tosh and Mick Jagger.

A great song, written by members of the Miracles (Smokey Robinson and Ronald White) and originally recorded by The Temptations, “Walk and Don’t Look” has been recorded by dozens of artists, but never better than the version by Mick Jagger and Peter Tosh.

Peter Tosh usually eschewed love songs, but the positive message of this song combined with the opportunity to sing with Jagger proved irresistible. Tosh’s politics mesh perfectly with the optimism that love can solve our problems. Tosh sings the opening verse: